The image of animals in Chinese and Iranian legendries: a comparative study

Секция

Филологические науки

Ключевые слова

animal symbolism
Chinese mythology
Iranian mythology
comparative mythology
dragon
phoenix
tiger
fox
folklore

Аннотация статьи

The given article examines the representation and symbolic significance of animals in the rich tapestry of Chinese and Iranian legendries. The comparative analysis reveals that animals in both Chinese and Iranian legendries often serve as intermediaries between the human and supernatural realms, embodying moral virtues, representing cosmic forces, and reflecting societal values. 

Текст статьи

Introduction

Animals have occupied a prominent place in the human imagination since time immemorial, featuring prominently in the myths, legends, and folklore of cultures worldwide. In the ancient civilizations of China and Iran, animals played particularly significant roles, serving as potent symbols, mythical creatures, and embodiments of cultural values. This article undertakes a comparative study of the image of animals in Chinese and Iranian legendries, exploring their symbolic meanings, narrative functions, and cultural significance.

Both Chinese and Iranian cultures possess rich traditions of storytelling, where animals often transcend their biological forms to become imbued with supernatural powers, moral attributes, and cosmological significance. By analyzing a diverse range of legendary narratives, this study aims to shed light on the multifaceted roles of animals in shaping the cultural identities and worldviews of these two ancient societies.

Theoretical Framework

This study draws upon theoretical perspectives from comparative mythology, anthropology, and cultural studies to analyze the image of animals in Chinese and Iranian legendries.

Comparative Mythology: This approach facilitates the identification of recurring motifs, archetypes, and narrative patterns across different cultures, enabling a deeper understanding of the universal and culture-specific aspects of animal symbolism [1].

Anthropology of Animals: This field examines the complex relationships between humans and animals in different societies, exploring how animals are perceived, categorized, and integrated into cultural systems [6].

Cultural Studies: This perspective emphasizes the role of narratives in constructing and transmitting cultural values, beliefs, and identities [4]. By analyzing the representation of animals in legendries, we can gain insights into the cultural norms and social structures of ancient China and Iran.

Animal Symbolism in Chinese Legendries

Chinese mythology is replete with a diverse array of animal figures, both real and fantastical, that hold profound symbolic meanings.

The Dragon (Long 龙): The dragon is arguably the most iconic creature in Chinese mythology, representing imperial power, auspiciousness, strength, and the vital force of yang. Unlike the malevolent dragons of Western mythology, the Chinese dragon is generally benevolent and associated with water, rain, and fertility [7].

The Phoenix (Fenghuang 凤凰): Often paired with the dragon, the phoenix symbolizes virtue, grace, prosperity, and the feminine principle of yin. It represents rebirth and renewal, rising from ashes to signify new beginnings.

The Tiger (Hu 虎): The tiger is a powerful symbol of courage, strength, and protection against evil. In Chinese folklore, tigers are often depicted as guardians of sacred spaces and protectors of the innocent.

The Fox (Huli Jing 狐狸精): Fox spirits are complex figures in Chinese legendries, often portrayed as shapeshifting beings capable of both good and evil. They are frequently associated with seduction, magic, and the supernatural, and their stories often explore themes of love, desire, and the blurring of boundaries between the human and animal worlds [5].

Animal Symbolism in Iranian Legendries

Iranian mythology, influenced by Zoroastrianism and other ancient traditions, also features a rich cast of animal characters with significant symbolic value.

The Simurgh: This mythical bird, often described as a giant, benevolent creature with the head of a dog, the body of a peacock, and the claws of a lion, represents wisdom, healing, and divine guidance. The Simurgh plays a crucial role in the epic poem “Shahnameh” (The Book of Kings) by Ferdowsi [2].

The Dragon (Azhdahak): In contrast to the Chinese dragon, the Iranian dragon is generally depicted as a malevolent force associated with chaos, drought, and destruction. Azhdahak, a three-headed dragon in “Shahnameh”, embodies tyranny and oppression.

The Bull: The bull holds a prominent place in ancient Iranian culture, symbolizing strength, fertility, and the earth. In Zoroastrianism, the bull is associated with the primordial creature Gavaevodata, whose sacrifice gives rise to all life.

The Dog: Dogs were viewed positively in ancient Iran, in part due to their association with protection from evil. In Zoroastrian thought, dogs held a high position, even considered sacred, believed to be able to see into the spiritual world. They were seen as loyal companions.

Comparative Analysis

While both Chinese and Iranian legendries feature animals as powerful symbolic figures, there are notable similarities and differences in their representation:

1. Similarities:

  • Intermediaries Between Realms: In both traditions, animals often serve as intermediaries between the human and supernatural realms, possessing the ability to communicate with gods, spirits, and other mythical beings.
  • Embodiments of Moral Virtues: Animals frequently embody moral virtues such as courage, loyalty, wisdom, and benevolence, serving as exemplars for human behavior.
  • Cosmic Significance: Certain animals are associated with cosmic forces, celestial bodies, and the natural elements, reflecting their importance in the cosmological systems of both cultures.
  • Transformation and Shapeshifting: The ability of animals to transform or shapeshift is a recurring motif in both Chinese and Iranian legendries, highlighting the fluidity of boundaries between the human and animal worlds.

2. Differences:

  • Dragon's Nature: The contrasting portrayal of the dragon as a benevolent force in China and a malevolent one in Iran represents a significant difference in the symbolic systems of the two cultures.
  • Phoenix vs. Simurgh: While both the Chinese phoenix and the Iranian Simurgh are mythical birds with positive connotations, their specific attributes and roles in their respective narratives differ.
  • Fox's Ambiguity: The Chinese fox spirit's ambiguous nature, capable of both good and evil, contrasts with the generally less prominent and less morally complex role of foxes in Iranian legendries.

Conclusion

The image of animals in Chinese and Iranian legendries provides a fascinating window into the cultural values, beliefs, and worldviews of these two ancient civilizations. Animals in both traditions serve as powerful symbols, mythical creatures, and embodiments of moral and cosmic principles. While there are notable differences in the specific representation of certain animals, such as the dragon, the comparative analysis reveals underlying similarities in the ways in which animals function as intermediaries, moral exemplars, and reflections of societal values.

This study underscores the importance of animals in shaping cultural narratives and highlights the enduring power of animal symbolism in human societies. Further research could explore the evolution of animal imagery in later periods of Chinese and Iranian literature and art, as well as investigate the influence of these ancient traditions on contemporary cultural expressions.

Список литературы

  1. Campbell, J. (2008). The Hero with a Thousand Faces. New World Library. 418 p. 
  2. Davis, D. (2007). Shahnameh: The Persian Book of Kings (Abridged translation). Penguin Classics. 886 p. 
  3. Eliade, M. (1963). Myth and Reality. Harper & Row. 279 p. 
  4. Hall, S. (Ed.). (1997). Representation: Cultural Representations and Signifying Practices. Sage. 307 p. 
  5. Huntington, R. (2003). Alien kind: Foxes and late imperial Chinese narrative. Harvard University Asia Center. 220 p. 
  6. Ingold, T. (2000). The Perception of the Environment: Essays on Livelihood, Dwelling and Skill. Routledge. 550 p. 
  7. Zhao, Q. (1992). Dragon. China Intercontinental Press. 280 p. 

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Mirusmonova R. O. The image of animals in Chinese and Iranian legendries: a comparative study // Роль науки в формировании устойчивого будущего: глобальные вызовы и возможности : сборник научных трудов по материалам Международной научно-практической конференции 12 декабря 2024г. Белгород : ООО Агентство перспективных научных исследований (АПНИ), 2024. С. 35-38. URL: https://apni.ru/article/10794-the-image-of-animals-in-chinese-and-iranian-legendries-a-comparative-study

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